Yasi Alipour

A Braid of Tautology and Contradiction, 2022, fold, cyanotype, hand-made paper, 56 x 30 inches

The Pleasure of Futile Cycles, 2022. Installation view, Twelve Gates Arts, Philadelphia.

BIOGRAPHY

Born: Tehran, 1989
Resides: New York, NY
Education: Columbia University (M.F.A., 2018); School of Visual Arts (B.F.A., 2015); University of Iran (B.S., 2011).

SELECTED EXHIBITIONS

2022 “To Bleach, To Fold: Zeshan Ahmad and Yasi Alipour,” Transmitter Gallery, Brooklyn.

“Yasi Alipour: The Sea in Third Person (Absent),” Bavan Gallery, Tehran.

“Yasi Alipour: The Pleasure of Futile Cycles,” Twelve GatesArt, Philadelphia.

2021 “Mutual Convergence: Yasi Alipour and Cy Morgan,” Geary Contemporary, New York.

2020 “Drawn: Concept and Craft,” Secca, Winston-Salem, North Carolina.

“Art for Your Collection,” The Catherine Fostnot Gallery, New London, Connecticut.

2019 “Yasi Alipour: As Dreams,” Hercules Art/Studio Program, New York.

“Artists Need to Create on the Same Scale that Society Had the Capacity to Destroy: Mare Nostrum,” 58th Venice Biennial, Italy.

2018 “Saout I’Mellah,” Limiditi-Temporary Art Project, La Cité Portugais.

“Smiles Without Freedom,” LeRoy Neiman Center, New York.

“Site of Unforgetting,” Practice, Yonkers, New York.

2017 “Senses,” Art in Odd Places, New York.

“Visual Notes for an Upside-Down World,” PPOW, New York.

“Make _ Place,” New York Immigration Coalition, New York.

2016 “Light of Interior,” Art Therapy Project, Brooklyn.

SELECTED BIBLIOGRAPHY

2022 Fenstermaker, Will. “Yasi Alipour: The Pleasures of Futile Cycles,” The Guide (November).

Millet-Sorsa, Amanda. “Zeshan Ahmed and Yasi Alipour: To Bleach, To Fold,” The Brooklyn Rail (September).

Heinrich, Will. “To Bleach, To Fold,” New York Times (August).

2019 Engelhard, Vered, “Yasi Alipour: As Dreams”, The Brooklyn Rail, (June).

“A Brief List of Premises by an Artist Stuck with Paper, Politics, and Performance”, Triple Canopy (February).

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