Him Installation, 2015. Installation View at Cranbrook Art Museum, dimensions variable.

Left: Him #3, 2015. Framed Pigment Print, 42 x 56 inches. Right: Him #6, 2015. Framed Pigment Print, 42 x 56 inches.

BIOGRAPHY

Born: Phoenix, Arizona, 1973

Resides: Phoenix, Arizona

Education: California College of the Arts (M.F.A., 2000); Tufts University (B.A., 1996); School of the Museum of Fine Arts, Boston (B.F.A., 1996)

SELECTED SOLO EXHIBITIONS 

2018 “Stories Better Told by Others,” David Klein Gallery, Detroit.

2015 “Him,” Cranbrook Art Museum, Bloomfield Hills, Michigan.

2012 “On the River Road: From Presidio to Terlingua,” David Klein Gallery, Birmingham, Michigan.

2010 “Trabantimino,” Salon 94, New York.

SELECTED GROUP EXHIBITIONS 

2019 “Life Is a Highway,” Toledo Museum of Art, Ohio.

“Gráfica América,” Museum of Latin American Art, Long Beach, California.

2014 “SITElines: Unsettled Landscapes,” SITE Santa Fe, New Mexico.

“Another Look at Detroit,” Marianne Boesky Gallery, New York.

2013 “Art X,” Museum of Contemporary Art, Detroit.

2012 “Parts and Service,” Eric Firestone Gallery, East Hampton, New York.

2011 “Autobody,” Ballroom Marfa, Texas.

“Car Fetish. I Drive Therefore I Am,” Museum Tinguely, Basel, Switzerland.

SELECTED BIBLIOGRAPHY 

2020 Allen, Greg. “Art Matters Now – 12 Writers on 20 Years of Art: Greg Allen Reviews Artists in the Americas in 2005,” Los Angeles Review of Books (February 17).

2018 Sharp, Sarah Rose. “Reviving the Iconic Women of Lowrider Magazine,” Hyperallergic (December 12).

2016 Sharp, Sarah Rose. “In a Sprawling Collaboration, an Artist and Her Subject Craft His Identity,” Hyperallergic (February 23).

Adamson, Glenn, and Julia Bryan-Wilson. Art in the Making: Artists and their Materials from the Studio to Crowdsourcing. London: Thames and Hudson. 

2015 Rankine, Claudia; Loffreda, Beth; Capp, Max King (eds). The Racial Imaginary. Albany: Fence Books

2014 Heyman, Marshall. “Liz Cohen’s Trabantimino Comes to Bridgehampton,” Wall Street Journal (July 6).

El Whyner. “1987 Trabant 601 Deluxe—The Professor Knows Best,” Lowrider (June).

Bonansinga, Kate. Curating at the Edge: Artists Respond to the US/Mexico Border. Austin: University of Texas Press.