Matthew Buckingham
Image of Absalon to Be Projected Until It Vanishes, 2001 (detail). Continuous 35-mm color slide projection and framed text, dimensions variable.
Muhheakantuck—Everything Has a Name, 2003 (detail). Continuous 16-mm color film projection with sound, running time 40 minutes.
BIOGRAPHY
Born 1963 Nevada, Iowa; lives and works in New York City
EDUCATION
1997 Whitney Independent Study Program, New York, NY
1996 MFA, Bard College, Annandale-On-Hudson, NY
1988 BA, film production/ film studies, The University of Iowa, Iowa City
1984 The School of the Art Institute of Chicago, IL
SELECTED SOLO EXHIBITIONS
2009
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
2008
Will Someone Please Explain It To Me, I've Just Become a Radical, Murray Guy, New York, NY
Paleography, Konrad Fischer Galerie, Berlin, Germany
Play the Story, Frac Bourgogne, Dijon, France; traveling to Des Moines Art Center, Des Moines, IA; Henry Art Gallery, Seattle, WA
2007
Half Remembered, ArtPace, San Antonio, TX
Everything Has a Name, Hamburger Bahnhof - Museum fuer Gegenwart, Berlin, Germany
Play the Story, Camden Arts Centre, London, UK; travelling to DCA Dundee Contemporary Arts;
2006
Messages from the Unseen - Matthew Buckingham/Joachim Koester, Lunds Konsthall, Lund, Sweden
2005
Time Lines, Kunstverein und Kunstmuseum St. Gallen, Switzerland
Currents 94: Matthew Buckingham, St. Louis Art Museum, St. Louis, MO
Sandra of the Tuliphouse or How to Live in a Free State (with Joachim Koester), The Kitchen, New York, NY
Matthew Buckingham, Westfälischer Kunstverein, Münster, Germany
2004
Muhheakantuck - Everything Has a Name, Murray Guy, New York
Concentrations 44: Matthew Buckingham, A Man of the Crowd, Dallas Museum of Art, Dallas, TX
2003
A Man of the Crowd, Murray Guy, New York, NY
A Man of the Crowd, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Subcutaneous, Charles H. Scott Gallery, Vancouver, Canada
2002
Definition, P.S.1 Contemporary Art Center, Long Island City, NY
2001
Subcutaneous, Murray Guy, New York, NY
Matthew Buckingham: Video Ab Acht, Schnitt Ausstellungsraum, Cologne, Germany
Sandra of the Tuliphouse or How to Live in a Free State, (with Joachim Koester) x-rummet, Statens Museum for Kunst, Copenhagen, Denmark; Capecete Projects, Rio de Janeiro, Brazil (cat.)
2000
Situation Leading to a Story, Galleri Tommy Lund, Copenhagen, Denmark
1999
Contemporary Film and Video: Matthew Buckingham, Moderna Museet, Stockholm, Sweden
Films + Photographs + Drawings, Murray Guy, New York, NY
1998
Sandra of the Tuliphouse, (with Joachim Koester), Institute of Visual Arts, University of Wisconsin-Milwaukee, WI
SELECTED GROUP EXHIBITIONS
2009
Hidden in Remembrance is the Silent Memory of our Future, Contour - the 4th Biennial of Moving Image, Mechelen, Belgium (upcoming)
Lives of the Hudson, Francis Young Tang Museum, Skidmore College, Saratoga Springs, NY
Everything Has a Name, Or the Potential to be Named, Gasworks, London, UK
2008
Questioning History: Imagining the Past in Contemporary Art, Nederlands Fotomuseum, Rotterdam, The Netherlands
Theaters of Memory: Art and the Holocaust, The Jewish Museum, New York, NY
The Sound I'm Looking For, Charles H. Scott Gallery, Emily Carr Institute, Vancouver, BC, Canada
Farewell to Post Colonialism: Thinking Through the Visual, The Third Guangzhou Triennial, Guangzhou, China
Reality Check, Statens Museum for Kunst, Copenhagen, Denmark
Nonknowledge, Projects Arts Centre, Dublin, Ireland
The Cinema Effect: Illusion, Reality, and the Moving, Part II: Realisms, Hirshhorn Museum and Sculpture Garden, Washington DC
Peripheral Look and Collective Body, Museion, Bolzano
Headlines and Footnotes, Henie Onstad Art Centre, Oslo, Norway
2007
In the Poem About Love You Don't Write the Word Love, Overgaden Institut for Samtidskunst, Copenhagen, Denmark
Buckingham Cesarco Lawler Ruppersberg, Murray Guy, New York, NY
Matthew Buckingham, Francis Cape, Kota Ezawa, Matthew Higgs, Murray Guy, New York NY
To The Point: A New Reality: Black and White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ (catalogue)
Projecting Time, Badischer Kunstverein, Karlsruhe, Germany
Mapping the City, Stedelijk Museum, Amsterdam, The Netherlands
2006
1,2,3... Avant-gardes: Film / Art between Experiment and Archive, CCA Ujazdowski Castle, Warsaw, Poland,
Liverpool Biennial International 06, Liverpool, UK
Nam June Paik Award 2006, Museum für Angewandte Kunst, Cologne Germany
No Reservations: Native American History and Culture in Contemporary Art, The Aldrich Contemporary Art Museum, Ridgefield, CT
Slow Revolution, The Rotunda Gallery, Brooklyn, NY
Draft Deceit, Kunstnernes Hus, Oslo, Norway
2005
This Storm Is What We Call Progress, Arnolfini, Bristol, UK
I really should..., curated by Stefan Kalmar, Lisson Gallery, London, UK
This Side Toward Screen, Murray Guy, New York, NY
("my private") HEROES, MARTa, Herford, Germany
The Corcoran Biennial, The Corcoran Gallery of Art, Washington, DC
Universal Experience: Art, Life and the Tourist's Eye, Museum of Contemporary Art, Chicago; Hayward Gallery, London, UK
Documentary Creations, Kuntmuseum Luzern, Lucerne, Switzerland
Matthew Buckingham, Markus Schinwald, Clemens von Wedemeyer, Galerie Klosterfelde, Berlin, Germany
2004
Faces in the Crowd, Whitechapel Art Gallery, London, UK
Rear View Mirror, Kettle's Yard, Cambridge, UK
Common Property, Werkleitz Biennale, Halle, Germany
2003
Get Rid of Yourself, ACC Weimar & Stiftung Federkiel, Halle 14 Leipzig, Germany
Territories, Kunst-Werke, Berlin, Germany. curated by Anselm Franck and Sine Bepler.
Homeland , Whitney ISP, CUNY Graduate Center, New York, NY
Watershed: The Hudson Valley Art Project, Beacon, NY and surrounding locations
2002
Rent-A-Bench, curated by Jacob Fabricius, Los Angeles
Nostalgia, Art In General, New York, NY
2001
Quality Street, Galleri Tommy Lund, Copenhagen, Denmark
Definition, Murray Guy, New York, NY
2000
May Day Vienna, The Kunsthalle Exnergasse, Vienna, Austria
La Ville, le Jardin, la Memoire-La Folie Section, Villa Medici/Académie de France, Rome, Italy (cat.)
Vague but True, curated by Catsou Roberts, Galeri Asbaek, Copenhagen, Denmark; Arnolfini, Bristol, UK
Greater New York, P.S.1 Contemporary Art Center, Long Island City, NY
1999
The American Century, Whitney Museum of American Art, New York, NY
You Assume Certain Places Exist, Galerie Mot & Van den Boogaard, Brussels, Belgium
Parking, High Bridge Park, NY, organized by May Day Productions
1998
Nuit Blanche, ARC Musée d'art moderne de la Ville de Paris, Paris, France (cat.)
1997
Assorted Confabulations: Fiction + Interference, Consonni Centro de Prácticas Contemporáneas, Bilbao, Spain
1996
New Histories, The Institute of Contemporary Art, Boston, MA
Spot Gallery, New York, NY