Einar and Jamex de la Torre
Installation view of Soy Beaner from the series El Sexto Sol, 2008, at Koplin del Rio Gallery.
Mixed media and video collaboration with Paul Phruksukarn, 25 feet × 9 feet × 1 foot.
Courtesy Koplin del Rio Gallery, Los Angeles.
Installation view of Exporting Democracy, 2006, at the San Diego Museum of Contemporary Art. Mixed media, dimensions variable. Courtesy Koplin del Rio Gallery, Los Angeles.
BIOGRAPHY
Einar de la Torre
Born: Guadalajara, Mexico, 1963
Resides: National City, California
Education: California State University, Long Beach (1982–85)
Jamex de la Torre
Born: Guadalajara, Mexico, 1960
Resides: National City, California
Education: California State University, Long Beach (B.F.A., 1985)
Website: www.delatorrebros.com
Selected Solo Exhibitions
2008
“New Colonies in the New World,” Koplin del Rio Gallery, Los Angeles.
2007
“Figurate Esto,” Lisa Sette Gallery, Scottsdale, Arizona.
2005
“End of Empire: A Glass Installation,” Main Art Gallery, California State University, Fullerton.
“Reaching Critical Mass,” Carnegie Art Museum, Oxnard, California.
“Intersecting Time and Place,” Museum of Glass, Tacoma, Washington. Catalogue.
2004
“Super Grotesque Beauty,” Daniel Saxon Gallery, Los Angeles.
2001
“Anacronistas,”Grand Arts, Kansas City, Missouri. Brochure.
“Anacronistas,” Mexic-Arte Museum, Austin, Texas. Brochure.
2000
“The Mexican Problem,” Intersection for the Arts, San Francisco.
“Acido Folclórico: en Retrosperspectiva,” Centro Cultural Tijuana, Mexico.
1999
“El Niño’s Wake,” MACLA/San José Center for Latino Arts, California.
1998
“11:58 (PMAD),” Robert Lehman Gallery, UrbanGlass, Brooklyn.
“Ojito Tapatio,” Mexican Fine Arts Center Museum, Chicago.
1997
“El Niño,” inSITE97, Centro Cultural Tijuana, Mexico.
“Borderline Glass,” Arizona
Selected Group Exhibitions
2007
“No Distance Is More Awesome,” Galería de la Raza, San Francisco.
“Sister Cities: Testing Boundaries,” El Paso Museum of Art, Texas.
2006
“November,” Harris Lieberman Gallery, New York.
“TRANSactions: Contemporary Latin American and Latino Art,” Museum of Contemporary Art San Diego.Traveled. Catalogue.
“Material Matters,” Los Angeles County Museum of Art.
“Holy Land: Diaspora and the Desert,” Heard Museum, Phoenix.
2005
“5th Bienal do Mercosul,” Porto Alegre, Brazil.
2004
“Curious,” Galerie Deschler, Berlin.
“Narcochic Narcochoc,” Musée International des Arts Modestes, Sète, France. Catalogue.
“Art from the Americas,” Santa Barbara Museum of Art, California.
2002
“III Salon del Vidrio,” Museo de Arte Contemporaneo de Caracas Sofía Imber, Venezuela.
2000
“Made in California: Art Image and Identity, 1900–2000,” Los Angeles County Museum of Art.
“Glass Art Document,” Kanazu Forest of Creation Museum, Japan.
“Ultra Baroque: Aspects of Post–Latin American Art,” Museum of Contemporary Art San Diego. Traveled. Catalogue.
1999
“Latin American Still Life: Reflections of Time and Place,” Katonah Museum of Art, New York. Traveled. Catalogue.
“Crossing Boundaries,” Fisher Gallery, University of Southern California, Los Angeles. Catalogue.
“Cuarta Bienal Monterrey,” Museo de Monterrey, Mexico.
1998
“Frágil: Arte en Vidrio,” Museo del Vidrio, Monterrey, Mexico.
Selected Bibliography
2002
Pazarín, Victor. “Los Frutos del Artificio,” Ocho Columnas, (February 2).
2001
Golonu, Berin. “The Mexican Problem,” ArtNexus (May).
2000
Muños, Lorenza. “Exploring the Boundaries,” Los Angeles Times (January 12).
1999
Pincus, Robert L. “Glass Darkly,” San Diego Union Tribune (July 8).
1998
Tibol, Raquel. “Los de la Torre Revivan el Vidrio Milenario,” Proceso, (November).
1997
Perrault, John. “On the Border,” Glass (Spring).