Jacqueline Hayden

Danza Voluminosa #772, 2004. Pigmented ink on cotton rag, 30 × 22 1⁄2 inches.

Danza Voluminosa #932, 2004. Pigmented ink on cotton rag, 30 × 22 1⁄2 inches.

BIOGRAPHY

Born: Cincinnati, 1950
Resides: Williamsburg, Massachusetts
Education: Yale University (M.F.A., 1979); University of Massachusetts at Amherst (B.S., 1976)

Selected Solo Exhibitions

2003
Museo Nacional de Bellas Artes, Havana.

2001
Museo Nacional de Artes Decorativas, Havana.
Howard Yezerski Gallery, Boston. Also 1994.

1996
Fine Arts Museum, University of Wisconsin, Milwaukee.

1994
Trustman Art Gallery, Simmons College, Boston.

1993
Museum of Fine Arts, Springfield, Massachusetts.
White Columns, New York.

1990
Mint Museum of Art, Charlotte, North Carolina.

1989
Brody’s Gallery, Washington, D.C. Also 1987.

1987
University Gallery, University of Massachusetts, Amherst.

Selected Group Exhibitions

2005
“Viajeros: North American Artists’/Photographers’ Images of Cuba,” Zoellner Arts Center, Lehigh University, Bethlehem, Pennsylvania.

2004
“Male Body Image,” Contemporary Art Gallery, University of Connecticut, Storrs.
“Una Muerte Dulce,” Teatro Nacional, Havana.

2002
“Digitally Born,” The Alternative Museum, New York.

2001
“Digital: Revolutions in Printmaking,” Brooklyn Museum.

1999
“The Time of Our Lives,” New Museum of Contemporary Art, New York. Catalogue.
“Transgressions,” Yale University Art Gallery, New Haven, Connecticut.
“The Nude in Contemporary Art,” Aldrich Museum of Contemporary Art, Ridgefield, Connecticut. Catalogue.
“Women’s Health Project,” Maryland Science Center, Baltimore. Traveled.

1998
“Images of Aging,” Northampton Center for the Arts, Massachusetts.

1997
“The Older Body,” Contemporary Art Forum, Santa Barbara, California.
“Subject(s): A Collective Portrait,” Rose Art Museum, Brandeis University, Waltham, Massachusetts.

1994
“Bad Girls,” New Museum of Contemporary Art, New York. Traveled. Catalogue.

1990
“Positive Actions: Visual Aids Competition 1990,” Clocktower Gallery, New York.
“The Indomitable Spirit,” International Center of Photography, New York. Traveled. Catalogue.

1989
“The Photography of Invention: Pictures of the Eighties,” National Museum of American Art, Washington, D.C. Traveled. Catalogue.
“Recent Acquisitions: Photography,” Corcoran Gallery
of Art, Washington, D.C.

1988
“Recollections,” Washington Project for the Arts, Washington, D.C. Catalogue.

1980
“Recent Aquisitions,” St. Louis Art Museum.

Selected Bibliography

1999
Smith, Roberta. “An Ode to Old Age, Life’s Gift,” The New York Times (July 16).
Woodward, Kathleen. Figuring Age: Women, Bodies, Generation. Bloomington, Indiana: Indiana University Press.

1997
Conboy, Medina Stanbury. Writing on the Body: Female Embodiment and Feminist Theory. New York: Columbia University Press.

1996
Hastie, Amelie. “Coming of Age,” Afterimage (summer).

1995
Russo, Mary. The Female Grotesque: Risk, Excess, and Modernity. New York: Routledge.

1994
Smith, Roberta. “A Raucous Caucus of Feminists Being Bad,” The New York Times (January 21).
Stapen, Nancy. “The Bold Meets the Souldful,” The Boston Globe (September 29).

1988
Cameron, Dan. “Is There Hope for Art in Washington?” New Art Examiner (March).

1987
Heiferman, Marvin, and Carol Kismaric. “Getting Close to Gotham,” ARTnews (September).