Hilary Harkness

Matterhorn, 2003-04. Oil on linen, 20 x 27 inches. Courtesy Mary Boone Gallery, New York

Iowa Class, 2003. Oil on linen, 14 x 22 inches. Courtesy Mary Boone Gallery, New York

BIOGRAPHY

Born: Detroit, Michigan, 1971
Resides: New York
Education: Yale University (M.F.A., 1996); University of California, Berkeley (B.A., 1993)

Selected Solo Exhibitions

2002
Daniel Weinberg Gallery, Los Angeles.

2001
Bill Maynes Gallery, New York.

Selected Group Exhibitions

2004
“Endless Love,” DC Moore Gallery, New York.

2003
“On Line,” Feigen Contemporary, New York.
“Unforeseen,” Portland Institute of Contemporary Art, Oregon.
“American Art Today: Faces and Figures,” Art Museum of Florida International University, Miami.

2002
“Fusion Cuisine,” Deste Foundation, Athens.
“Invitational Exhibition of Painting and Sculpture,” American Academy of Arts and Letters, New York.
“Into the Woods,” Julie Saul Gallery, New York.
“Dangerous Beauty,” J.C.C., New York.

2001
“Westworld,” Mary Boone Gallery, New York.
“Best of the Season,” The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut.
“Heroine,” Dee/Glasoe, New York.
“Pixerina Witcherina,” University Galleries, Illinois State University, Normal. Catalogue.
“Wonderland,” Massachusetts College of Art, Boston. Catalogue.

1999
“Shiny,” Southern Exposure Gallery, San Francisco.
“25/25,” Southern Exposure Gallery, San Francisco.

1998
“Nothing But Time,” Southern Exposure Gallery, San Francisco.

1996
“Women in the Arts,” Erector Square Gallery, New Haven, Connecticut.
“M.F.A. Thesis Show,” Yale School of Art, New Haven, Connecticut.

Selected Bibliography

2004
Kramer, Hilton. “This ‘Endless Love’ Isn’t Really Erotic,” Reactionary (February 2).

2003
Cohen, David. “Review,” The New York Sun (June 26).
Honigman, Ana Finel. “Fulsome Chattiness, Biting Cattiness: Satire after William
Hogarth,” zingmagazine (January).
Johnson, Ken. “Art in Review: ‘Online’,” The New York Times (June 13).
Levin, Kim. “Galleries Online,” The Village Voice (June 25–July 1).

2002
“Galleries—Chelsea: Into the Woods,” The New Yorker (August 19).
Gilbert, Andrea. “Fusion Cuisine,” Contemporary (September).
Koroxenidis, Alexandra. “Through the Eyes of Women,” Herald Tribune (July 21).
—–. “Fusion Cuisine,” frieze (October).

2001
Amy, Michaël. “Hilary Harkness at Bill Maynes,” Art in America (November).
Dougherty, Cecilia. “Temporary Headquarter,” Nest (winter).
Huntington, Richard. “Stroll Through the Chelsea District Proves to Be No Walk in the Park,” Buffalo Evening News (May 27).
Johnson, Ken. “Art in Review: Hillary Harkness,” The New York Times (April 27).
—–. “Art in Review: Westworld,” The New York Times (December 6).
MacAdam, Barbara A. “On the Edge: Bruegel of the Seaside Brothels,” Artnews (November).
Saltz, Jerry. “Woman Overboard,” The Village Voice (May 8).
Sherman, Mary. “MCA Creates a Wonderland,” Boston Sunday Herald (January 28).
Temin, Christine. “Imagination Runs Wild in Wonderland,” The Boston Globe (January 30).

1998
Freedman, Marcy. “Making the Cut,” San Francisco Weekly (December 9).