Beth Campbell

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Installation view of steel rod and wire mobiles, 2008.

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Following Room, 2007. Mixed media installation, 8 x 15 x 24 feet.

BIOGRAPHY

EDUCATION

1995-97 MFA.  Ohio University.  Athens, OH.

1997 Skowhegan School of Painting and Sculpture, ME.

1989-93 BFA.  Truman State University.  Kirksville, MO. 


SOLO EXHIBITIONS

2009     James Harris Gallery, Seattle, WA.

2008     Nicole Klagsbrun Gallery, New York, NY

Whitney Gala.  Commissioned installation in lobby for Gala.  Whitney Museum of American Art.    New York, NY.

Social Interactions (Two-person exhibition with Stephen Willats), Seiler + Mosseri-Marlio,     

Zurich, Switzerland.

2007     Following Room.  Whitney Museum of American Art.  New York, NY.

I can't quite place it.  Feldman Gallery and Project Space, PNCA.  Portland, OR.

Potential Store Fronts. In The Public Realm project at 125 Maiden Lane, Public Art Fund.  New York, NY.

2005     How Did We End Up Here? Nicole Klagsbrun Gallery, New York

Make Belief.   Sala Diaz, San Antonio, TX.

2004     Statements, Art Basel, Miami Beach, FL

I was thinking(a living room).  Nicole Klagsbrun Gallery, New York, NY

Every other day.  Art Academy of Cincinnati, OH

2003 Same As Me,  Sandroni Rey Gallery.  Los Angeles, CA.

2002 Same As Me. Roebling Hall.  Brooklyn, NY.

2000 House(A Standardized Affectation for Telepresence). Roebling Hall.  Brooklyn, NY.

White Room. White Columns. New York, NY.


SELECTED GROUP EXHIBITIONS

2009    New Age Riot, Country Club Projects, Los Angeles, CA

The End, The Andy Warhol Museum, Pittsburgh, PA.*

Biennale Cuvee 09.  OK Center for Contemporary Art, Linz, Austria*

2008     Manifesta 7, The European Biennial of  Contemporary Art.  Trento, IT. *

Art on Paper 2008,  Weatherspoon Art Museum.  Greensboro, North Carolina.

Forever Young, Anne+, Paris, France

Interiors, Hales Gallery, London, UK

Leisure Suite,  The Leroy Neiman Gallery.  Columbia University.  New York, NY.

2007     On Being an Exhibition, Artists Space, New York, NY.

Slightly Unbalanced, traveling exhibition organized by Independent Curators International.*

The 6th Mercosul Biennial: The Third Bank of the River, Porto Alegre, Brazil.*

Blank.  Ke Center For Contemporary Art, Shanghai, China. Sponsored by Beijing Youth Weekly.*

You are here, Glassel School of Art, Museum of Fine Arts, Houston, TX.

2006   Panic Room, Deste Foundation for Contemporary Art, Athens, Greece

Text Formed Drawing, The Contemporary Art Galleries, University of Connecticut, Storrs, CT. 

Past Imperfect: Future Tense, New Center for Contemporary Art, Louisville, KY

Timed Based Art Festival.  PICA.  Portland, Oregon.

Annotations.  Organized by Public Holiday Project for Expodium Gallery.  Utrecht, NL.*

And Therefore I am.  Tang Museum at Skidmore College.  Saratoga Springs, NY.

2005     Looking at Words:  The Formal Presence of Text in Modern and Contemporary Works on Paper.  Andrea Rosen Gallery, New York, NY.

Sounds Like Drawing. The Drawing Room, London, England.

Untitled. Santa Barbara Contemporary Arts Forum, Santa Barbara, CA.

Life Drawing.  Arthouse, Austin, TX.

Dating Data.  Josee Bienvenu Gallery.  New York, NY.

2004    Open House: Working in Brooklyn, Brooklyn Museum of Art, NY*

Home Extension, University Art Museum, State University of New York.  Albany, NY.*

2003    B-List.  Hallwalls.   Buffalo, NY.*

High & Inside.  Marlborough Gallery.  New York, NY.*

2002    Hello, My name Is. ...   Carnegie Museum of Art.  Pittsburgh, PA.

Unbecoming.   Philadelphia Art Alliance.   Philadelphia, PA.

2001    Temporary Residents.  Organized by the Public Art Fund.  *

New Commissions for the Commons at Metrotech Center.  Brooklyn, NY.

Brooklyn!  Palm Beach Institute of Contemporary Art.  Palm Beach, FL.

Fresh:  The Altoids Curiously Strong Collection.  (*traveling)

New Museum of Contemporary Art.  New York, NY.  Consolidated Works.  Seattle, WA.

The LAB.  San Francisco, CA.  Los Angeles Contemporary Exhibitions.  Los Angeles, CA.

Art Center/South Florida.  Miami, FL.  DiverseWorks. Houston, TX.

2000    The Space Around the Architect.  Socrates Sculpture Park.  Queens, NY.

Greater New York.  PS1 Contemporary Art Center.  New York, NY.*

* (Indicates show catalog)


SELECTED PUBLICATIONS

2008    

Ellegood, Anne.  "6th Mercosul Bienal, Porto Alegre, Brazil."  Artforum, March.

Snyder, Stephanie, "The City, Naked." Art Lies, No. 58 Summer.

Rabinowitz, Cay Sophie, "Slippery Slopes in the Dolomites," Art in America, November.

Bertelè , Eugenia,  "Beth Campbell: Blow off the request/Energeltically start work on the Project."

55 Artecritica.  August 2008.

2007

Schwendener, Martha, "Art in Review: Beth Campbell," The New York Times, December 14.

Stein Greben, Deirdre, "25 Trendsetters: Beth Campbell" ARTnews, September.

Saltz, Jerry "Beyond Serra: A critic's five favorite public artworks, all on view for free," New York      Magazine, June 18.

Delgado, Lisa, "A Wrinkle in Space," The Architect's Newspaper, June 6. 

Kennedy, Randy, "What's on Sale There? Confusion, But It's Cheap," The New York Times,   May 15.

Campbell, Beth, "Where the façades are façades," NYFA Current (nyfa.org), June.

2006     

Lossin, Rebecca.  "Beth Campbell, Looking at Words."  NYARTS. January/February 2006, Vol. 11, No.1/2.

2005     

Schillingburg, Don.  "Artists on Artists  Don Schillingburg on Beth Cambell,"   BOMB, No. 92. Summer 2005.

Ross, Lauren, "Dating Data," Art on Paper, May/June.

Levin, Kim, "Voice Choices: 'Paper,' Nicole Klagsbrun Gallery," The Village Voice, February 16-22.

Matthews, Heather, "Life Drawings: Beth Campbell, Danica Phelps and Eric Schell," GlassTire, February.

Keegan, Matt and Sara Greenberger-Rafferty.  North Drive Press.  New York, NY.  June 2005.

2003     

Lippy, Todd, ed. Esopus, The Esopus Foundation Ltd. New York, No. 1, Fall 2003.

Weschler, Lawrence, "Convergences," David Eggers, ed. McSweeney's Quarterly,  No.11, San Francisco, 2003.

Ollman, Leah, "So now let' talk about me," Los Angeles Times, April 4, 2003.

Volk, Gregory.  Beth Campbell at Roebling Hall.  Art in America.  February 2003.

2002

Saltz, Jerry.  Repeat Performance.  Village Voice.  October 9-15, 2002:  52.

2001

Reid, Calvin.   Guy Richard Smit and Beth Campbell at Roebling Hall.  Art in America, September 2001: 154-155.

Humphrey, David. New York E-Mail.  Art Issues, March/April 2001, no. 67: 40-41.

Mahoney, Robert.  Art Reviews: Beth Campbell.  Time Out New York, Issue No. 275, December 28-Jan 4 2001: 62.

2000

Brogger, Andreas, ed.  Hvedekorn.  Number 2/2000.  Copenhagen: 2000.


HONORS

2007     Distinguished Alumni Award.  Ohio University, Athens, OH.

2006     Awarded Pollack/Krasner Foundation Grant.

2000     Rema Hort Mann Foundation Art Grant

2000     Awarded Studio space in World Views, Lower Manhattan Cultural Council studio residency program at the World Trade Center.


COLLECTIONS

The Museum of Modern Art.  New York, NY.

The Whitney Museum of American Art. New York, NY.

The New School.  New York, NY.

Altoids Curiously Strong Collection.  New Museum of Contemporary Art.   New York. NY.

Bloomberg Radio and News.  New York, NY. 

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